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Godard +Karina 4-ever
The director first saw her in a soap ad and tried to cast her in a minor role in Breathless, but she refused to take her clothes off and turned him down. She was eventually offered a big role in Le Petit Soldat (1960). “I said to him, ‘Do I have to take my clothes off?’ He said, ‘No, no, it’s a political film. I said, ‘Politics? I don’t know anything about politics. I am too young.’ He said, ‘You just have to do what I tell you to.’”
At the time, Karina had a boyfriend. Nonetheless, the attraction between director and star was evident. “We fell in love but nobody would take the first step.” One night, during a dinner party in Lausanne, a message was passed to her under the table. She opened up the piece of paper. It was from Godard. “It said: ‘I love you. Shall we meet at midnight at the Café de la Paix in Geneva?’” Karina says she felt hypnotised. When she arrived at the assignation, Godard’s head was buried in a newspaper. She stood in front of him for what seemed like a small eternity. Eventually, he lowered the paper. “I thought it took hours but probably it only took about 30 seconds. He looked at me and said, ‘Shall we go?’ That’s how it all started.”
Godard then set out to educate her. No, he told her, she wasn’t ready yet for Céline, but soon had her reading Georges Bernanos’s Mouchette. He would take his young wife to the Cinemathèque, where she would hover on the edges, listening to the high-blown chat about movies from Godard and his cronies (Eric Rohmer, Jacques Rivette, Agnès Varda, Henri Langlois and the like.) “I was the little one, always listening and learning.”
However, Godard proved to be an unreliable husband. He would say he was off to buy a packet of cigarettes - and disappear for weeks. Without telling her, he would head off to Sweden to see Ingmar Bergman or to the US to see William Faulkner. “I’d sit and wait in front of the phone. At that time, there were no answering machines.” When he came home, Karina was able to tell where he had been only by the expensive presents he brought her, presumably out of guilt.
Ironically, it was when they were working that they were closest. During the shooting of their movies, Godard would never go awol and they achieved an intimacy that they struggled to match in the other parts of life together.
via: The Guardian
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Godard +Karina 4-ever

The director first saw her in a soap ad and tried to cast her in a minor role in Breathless, but she refused to take her clothes off and turned him down. She was eventually offered a big role in Le Petit Soldat (1960). “I said to him, ‘Do I have to take my clothes off?’ He said, ‘No, no, it’s a political film. I said, ‘Politics? I don’t know anything about politics. I am too young.’ He said, ‘You just have to do what I tell you to.’”

At the time, Karina had a boyfriend. Nonetheless, the attraction between director and star was evident. “We fell in love but nobody would take the first step.” One night, during a dinner party in Lausanne, a message was passed to her under the table. She opened up the piece of paper. It was from Godard. “It said: ‘I love you. Shall we meet at midnight at the Café de la Paix in Geneva?’” Karina says she felt hypnotised. When she arrived at the assignation, Godard’s head was buried in a newspaper. She stood in front of him for what seemed like a small eternity. Eventually, he lowered the paper. “I thought it took hours but probably it only took about 30 seconds. He looked at me and said, ‘Shall we go?’ That’s how it all started.”

Godard then set out to educate her. No, he told her, she wasn’t ready yet for Céline, but soon had her reading Georges Bernanos’s Mouchette. He would take his young wife to the Cinemathèque, where she would hover on the edges, listening to the high-blown chat about movies from Godard and his cronies (Eric Rohmer, Jacques Rivette, Agnès Varda, Henri Langlois and the like.) “I was the little one, always listening and learning.”

However, Godard proved to be an unreliable husband. He would say he was off to buy a packet of cigarettes - and disappear for weeks. Without telling her, he would head off to Sweden to see Ingmar Bergman or to the US to see William Faulkner. “I’d sit and wait in front of the phone. At that time, there were no answering machines.” When he came home, Karina was able to tell where he had been only by the expensive presents he brought her, presumably out of guilt.

Ironically, it was when they were working that they were closest. During the shooting of their movies, Godard would never go awol and they achieved an intimacy that they struggled to match in the other parts of life together.

via: The Guardian

    • #Film
    • #Jean-luc Godard
    • #Anna Karina
    • #Love
    • #Truth
    • #Directors
    • #Muses
  • 4 months ago
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Pierrot le fou- Jean-Luc Godard
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Pierrot le fou- Jean-Luc Godard

(via somethingpointless)

Source: penal-colony

    • #Jean-Luc Godard
    • #Film
    • #Anna Karina
    • #Jean-Paul Belmondo
    • #Favorites
    • #Always relevant
  • 6 months ago > penal-colony
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Pierrot Le Fou- Jean-Luc Godard
Editor’s note: Damn it, Anna! Why do you do this me?
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Pierrot Le Fou- Jean-Luc Godard

Editor’s note: Damn it, Anna! Why do you do this me?

    • #Film
    • #Jean-Luc Godard
    • #Favorites
    • #Pierrot Le Fou
    • #Anna Karina
    • #I love you
  • 8 months ago
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Vivre Sa Vie- Jean-Luc Godard
*Editor’s note: Easily my new favorite movie about a prostitute ever. Also, 5000 francs for Anna Karina is a bargain!
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Vivre Sa Vie- Jean-Luc Godard

*Editor’s note: Easily my new favorite movie about a prostitute ever. Also, 5000 francs for Anna Karina is a bargain!

    • #Film
    • #Favorites
    • #Vivre Sa Vie
    • #Anna Karina
    • #Jean-Luc Godard
    • #Why so beautiful?
  • 9 months ago
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‘Let’s go. Travel broadens the mind.’
-Ferdinand Griffon
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‘Let’s go. Travel broadens the mind.’

-Ferdinand Griffon

    • #Film
    • #jean-luc godard
    • #Jean-Paul Belmondo
    • #Anna Karina
    • #Favorites
    • #French New Wave
    • #Pierrot le Fou
  • 9 months ago
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Vivre Sa Vie- Jean-Luc Godard
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Vivre Sa Vie- Jean-Luc Godard

(via lepoinconneurdeslilas)

Source: shedrivesbynight

    • #Vivre Sa Vie
    • #Film
    • #Jean-Luc Godard
    • #Anna Karina
    • #Favorites
    • #Beautiful
  • 1 year ago > shedrivesbynight
  • 59
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Alpahville- Jean-Luc Godard
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Alpahville- Jean-Luc Godard

    • #Jean-Luc Godard
    • #Alphaville
    • #Film
    • #Anna Karina
    • #Illustration
  • 1 year ago
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Band of Outsiders- Jean-Luc Godard
I generally hate these things (GIFs? WTFs?) but this was too great to ignore.
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Band of Outsiders- Jean-Luc Godard

I generally hate these things (GIFs? WTFs?) but this was too great to ignore.

Source: yimmyayo

    • #Band of Outsiders
    • #Anna Karina
    • #Film
    • #French Film
    • #Jean-Luc Godard
    • #Favorites
  • 1 year ago > yimmyayo
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Les Fiancés du Pont MacDonald- Agnès Varda
I read in a film magazine that a director should never sleep with anyone they intend to direct because it clouds their ability to coax a proper performance out of the actor. While I think Jean-Luc Godard may have directed some of his best work with Anna Karina, the sad fact that Karina was about as expressive as a wooden chair in Band of Outsiders leads me to believe that there may be some truth in that philosophy. But really, who wouldn’t fall in love with Karina is you have to work with her everyday? 
via colettesaintyves
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Les Fiancés du Pont MacDonald- Agnès Varda

I read in a film magazine that a director should never sleep with anyone they intend to direct because it clouds their ability to coax a proper performance out of the actor. While I think Jean-Luc Godard may have directed some of his best work with Anna Karina, the sad fact that Karina was about as expressive as a wooden chair in Band of Outsiders leads me to believe that there may be some truth in that philosophy. But really, who wouldn’t fall in love with Karina is you have to work with her everyday? 

via colettesaintyves

Source: colettesaintyves

    • #Anna Karina
    • #Jean-Luc Godard
    • #Film
    • #Kiss
    • #Agnes Varda
    • #French Film
    • #Film
    • #Directors
  • 1 year ago > colettesaintyves
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Band of Outsiders - Jean-Luc Godard
Does anyone want to try and learn this dance with me? Let’s ignore that I can’t and try, ok?
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Band of Outsiders - Jean-Luc Godard

Does anyone want to try and learn this dance with me? Let’s ignore that I can’t and try, ok?

Source: breakfastineurope

    • #Dance
    • #Anna Karina
    • #Jean-Luc Godard
    • #Film
    • #Paris
    • #Band of Outsiders
  • 2 years ago > breakfastineurope
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Pierrot le fou- Jean-Luc Godard
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Pierrot le fou- Jean-Luc Godard

    • #Pierrot le fou
    • #Jean-Luc Godard
    • #film
    • #Jean-Paul Belmondo
    • #Favorites
    • #Anna Karina
  • 2 years ago
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Pierrot le fou- Jean-Luc Godard
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Pierrot le fou- Jean-Luc Godard

    • #Pierrot le fou
    • #Jean-Luc Godard
    • #Film
    • #Anna Karina
    • #Jean-Paul Belmondo
    • #Kiss
    • #French Film
    • #Film
    • #Favorites
  • 2 years ago
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Vivre sa vie- Jean-Luc Godard
“Godard films Anna Karina gloriously, beautifully. The movie opens with a reverse angle close up of her face, captured in the translucent late afternoon Paris light. It subtly shifts to a forward close up, and you see those astonishing eyes, liquid, deep, magnificent. It’s Karina as fetish, and we’re invited to watch, stare, and get lost in that glorious and exquisitely lined face.”
via Light Sensitive
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Vivre sa vie- Jean-Luc Godard

“Godard films Anna Karina gloriously, beautifully. The movie opens with a reverse angle close up of her face, captured in the translucent late afternoon Paris light. It subtly shifts to a forward close up, and you see those astonishing eyes, liquid, deep, magnificent. It’s Karina as fetish, and we’re invited to watch, stare, and get lost in that glorious and exquisitely lined face.”

via Light Sensitive

    • #Anna Karina
    • #Jean-Luc Godard
    • #Film
    • #Vivre sa Vie
    • #Why so beautiful?
    • #Light Sensitive
    • #French Film
  • 2 years ago
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"I was one of the insatiables. The ones you'd always find sitting closest to the screen. Why do we sit so close? Maybe it was because we wanted to receive the images first. When they were still new, still fresh."
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